ΠΑΡΑΠΛΗΡΩΜΑ (2026)

Deleuze uses the term supplement to describe a creative complement that does not heal a void, but inhabits it, that does not replace something that is missing, but produces something new where the absence is visible. Artificial Intelligence learns the human through anthropogenic data that are often incomplete; fragments, silences, omissions. What it produces is not a copy, but a version that fills in the gaps in ways that no original would have predicted. From there emerges something that resembles the human, without being human. A form that is implied, but never fully established. 

 

Humans, on the other hand, often perceive Artificial Intelligence in human terms, attributing to it intention, logic, perhaps even self. And this attribution functions equally supplementary: a projection that fills with meaning something that resists meaning, that clothes with familiarity something that remains inherently foreign. 

 

The work is interested in the moment when these two processes meet. Not as a mirror image, but as a mutual construction: the machine that traces the human from its gaps; the human that produces meaning from the gaps of mechanical interpretation. In this double movement there is no original and copy but only the common process of filling the gap with meaning. 

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